Ontological World of script
Islamic art is not at all restricted to religious art, but includes all the art of the rich and varied cultures of Islamic societies as well. It frequently includes secular elements and elements that are frowned upon, if not forbidden, by some Islamic theologians. Apart from the ever-present calligraphic inscriptions, specifically religious art is actually less prominent in Islamic art. The traditional instrument of the Islamic calligrapher is the qalam, a pen normally made of dried reed or bamboo; the ink is often in color, and chosen such that its intensity can vary greatly, so that the greater strokes of the compositions can be very dynamic in their effect. Some styles are often written using a metallic-tip pen. Islamic calligraphy is applied on a wide range of decorative mediums other than paper, such as tiles, vessels, carpets, and inscriptions. Before the advent of paper, papyrus and parchment were used for writing. The advent of paper revolutionized calligraphy. Here almost all the style like Naskh, Nasta'liq, Diwani, Thuluth, Ruq'ah will be under one roof. A visual treat to Art lovers.
ABDULLAEV KAMALUDDIN,
UZBEKISTAN
ADITI AGARWAL,
INDIA
AFRIN KHAN,
INDIA
FARID A ALI,
KUWAIT
GORI YUSUF HUSEN,
INDIA
GULNAZ ISMAGILOVA,
RUSSIA
HAMOUDA ABDERRAZAK,
SWITZERLAND
HARISHANKAR BALOTHIA,
INDIA
HASAN ABUL,
BANGLADESH
HUSSEN YOUNES,
LEBENON
JAMI MOHAMMAD YUNUS,
AFGHANISTAN
KAMALDEEP KAUR,
INDIA
MUHAMMED ASSIRY,
INDONESIA
MULTANI RUBINA GAFAR,
INDIA
MUMTAZ ALI KHAN,
INDIA
RANA MOHSENI,
IRAN
SAATCHI AKBAR,
IRAN
SAMI GHARBI,
TUNISIA
TAWANA FAIZEH,
AFGHANISTAN
VASHARHY MASOUMEH,
IRAN